Volume 17, Issue 39 (8-2021)
goljaam 2021, 17(39): 131-147 |
Back to browse issues page
Download citation:
BibTeX | RIS | EndNote | Medlars | ProCite | Reference Manager | RefWorks
Send citation to:
BibTeX | RIS | EndNote | Medlars | ProCite | Reference Manager | RefWorks
Send citation to:
imani E, Foroughinia M. Objective aesthetics in rural rugs with Mikel Dufrenne's approach ( Case study: Yelmeh and Minakhani designs). goljaam 2021; 17 (39) : 7
URL: http://goljaam.icsa.ir/article-1-796-en.html
URL: http://goljaam.icsa.ir/article-1-796-en.html
1- Assistant Professor of Department of Carpet, Shiraz Art University
2- , Assistant Professor of Department of Carpet, Shiraz Art University
2- , Assistant Professor of Department of Carpet, Shiraz Art University
Abstract: (1033 Views)
Aesthetics is one of the important topics in the evaluation of works of art and can be examined from two aspects, objective and subjective. Rural and Tribal ruges in Iran are the result of the taste and mental creativity of weavers and designers who, despite being mentally woven, have a lot of harmony. The purpose of this study is to analyze the visual aesthetics of such carpets and due to their diversity and to avoid the breadth of the subject, studies the two designs from the region Yalmeh and Minakhani with this question: How are the principles of objective aesthetics reflected in the designs of Medallion and Brick-shaped Yalmeh and Minakhani? This qualitative research has been done by descriptive-analytical method and using library resources and based on Mikel Dufrenne's objective view of aesthetics and Ocvirk's view and visual principles, which is one of the main sub-branches of the objective aesthetic view. The results show that the correct structure of visual principles in rural carpet motifs as an art object leads to aesthetic perception of these works by the audience so that seven factors of Ocvirk approach including harmony, proportion, balance, motion, hegemony and brevity in the design and color of the studied samples are evident and only in Minakhani rugs, the principle of design diversity is less due to the repetition of patterns. Also, maintaining geometric proportions and observing visual and symbolic principles in form and color are other components of aesthetics in them
Article number: 7
Type of Study: Research |
Received: 2021/08/27 | Accepted: 2023/02/9 | Published: 2023/02/10
Received: 2021/08/27 | Accepted: 2023/02/9 | Published: 2023/02/10
Send email to the article author
| Rights and permissions | |
 |
This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License. |
