Volume 18, Issue 41 (9-2022)
goljaam 2022, 18(41): 111-126 |
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farahbod L, Davodiroknabadi A, Fashandaki T. Structural investigation of different pond forms in carpets, painting and landscape architecture of Iran. goljaam 2022; 18 (41) : 6
URL: http://goljaam.icsa.ir/article-1-845-en.html
URL: http://goljaam.icsa.ir/article-1-845-en.html
1- PHD Student
2- professor
3- assistant professor
2- professor
3- assistant professor
Abstract: (4 Views)
Abstract
Simple geometric drawings were among the first forms used in Iranian art and architecture. Iranian artists have been driven by different forms of thoughts, concepts and beliefs. In works of art, geometric shapes have many variations. The creation of diverse species in the forms of the pond is a symbol of semantic and aesthetic efforts for good water efficiency and has a special aesthetic reflection in Iranian buildings. The purpose of this research is to investigate the structural aspects of different forms of ponds in carpets, painting and landscape architecture of Iran. The above research has been done by descriptive-comparative method and by using documentary sources (library).
The findings show that architecture has sometimes been a source of inspiration for carpet and painting motifs and designs, so geometry is one of the main common aspects between these three arts. Also, there have been common symbols between architecture, carpets and painting from the past until now, each of which had special and special meanings.
The results of this research show that the shape and element of the pond in most of the carpets are derived from the architecture of the Iranian garden and are mostly seen in the form of a square and a central circle. The Iranian painter has also exhibited an important and valuable document and unique facades of the Iranian garden. As a result, the shapes of the pond in Iranian paintings and carpets emphasize the centrality of the pond, the water supply network, symmetry, naturalism, harmony between the elements in architecture, and separation of spaces.
Simple geometric drawings were among the first forms used in Iranian art and architecture. Iranian artists have been driven by different forms of thoughts, concepts and beliefs. In works of art, geometric shapes have many variations. The creation of diverse species in the forms of the pond is a symbol of semantic and aesthetic efforts for good water efficiency and has a special aesthetic reflection in Iranian buildings. The purpose of this research is to investigate the structural aspects of different forms of ponds in carpets, painting and landscape architecture of Iran. The above research has been done by descriptive-comparative method and by using documentary sources (library).
The findings show that architecture has sometimes been a source of inspiration for carpet and painting motifs and designs, so geometry is one of the main common aspects between these three arts. Also, there have been common symbols between architecture, carpets and painting from the past until now, each of which had special and special meanings.
The results of this research show that the shape and element of the pond in most of the carpets are derived from the architecture of the Iranian garden and are mostly seen in the form of a square and a central circle. The Iranian painter has also exhibited an important and valuable document and unique facades of the Iranian garden. As a result, the shapes of the pond in Iranian paintings and carpets emphasize the centrality of the pond, the water supply network, symmetry, naturalism, harmony between the elements in architecture, and separation of spaces.
Article number: 6
Type of Study: Research |
Received: 2022/09/9 | Accepted: 2024/12/3 | Published: 2025/08/29
Received: 2022/09/9 | Accepted: 2024/12/3 | Published: 2025/08/29
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