Volume 18, Issue 41 (9-2022)
goljaam 2022, 18(41): 27-50 |
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motafakkerazad M, Shokrpour S, Afhami R. Analysis of the aesthetic foundations of Tabriz altar carpets (Iranian Carpet Museum). goljaam 2022; 18 (41) : 2
URL: http://goljaam.icsa.ir/article-1-830-en.html
URL: http://goljaam.icsa.ir/article-1-830-en.html
1- Tabriz University of Islamic Art, Correspondence Officer.
2- Assistant Professor, Faculty of Industrial Arts, Tabriz University of Islamic Arts
3- Associate Professor, Faculty of Arts, Tarbiat Modares University
2- Assistant Professor, Faculty of Industrial Arts, Tabriz University of Islamic Arts
3- Associate Professor, Faculty of Arts, Tarbiat Modares University
Abstract: (6 Views)
In this research, the aesthetic features of Tabriz altar carpets have been introduced and studied. This research tries to answer the basic question that what are the aesthetic features of altar rugs and especially Tabriz altar rugs according to the samples in the Iranian Carpet Museum? Deals with the aesthetic principles and foundations of altar rugs and introduces them.
The results indicate that the aesthetic structure of altar rugs, despite the aesthetic elements and the combination of factors such as design, role and color, have been expressive of symbolic and symbolic concepts. According to the motifs used in this type of carpets such as altar, chandelier, column, vase, etc., the common concept in the Iranian carpet can be achieved, which ultimately ends in the eternal paradise and a place to display the essence of transcendence. In these carpets, despite adhering to the traditional elements of Iranian carpets and the proper use of patterns according to their concepts, diversity and innovation in design and color are also evident. In the studied samples, the use of abstract motifs such as Islamic rotations and khatai flowers in different parts of the carpet such as text and margins and their appropriate combination with symbolic motifs such as columnar altar, lamp, vase, etc. are important. This research is a historical research in terms of time and descriptive-analytical in terms of purpose. The method of collecting information is library and documentary. In this research, 8 samples of Tabriz altar carpet images of Iran Carpet Museum have been studied in a descriptive-analytical manner.
The results indicate that the aesthetic structure of altar rugs, despite the aesthetic elements and the combination of factors such as design, role and color, have been expressive of symbolic and symbolic concepts. According to the motifs used in this type of carpets such as altar, chandelier, column, vase, etc., the common concept in the Iranian carpet can be achieved, which ultimately ends in the eternal paradise and a place to display the essence of transcendence. In these carpets, despite adhering to the traditional elements of Iranian carpets and the proper use of patterns according to their concepts, diversity and innovation in design and color are also evident. In the studied samples, the use of abstract motifs such as Islamic rotations and khatai flowers in different parts of the carpet such as text and margins and their appropriate combination with symbolic motifs such as columnar altar, lamp, vase, etc. are important. This research is a historical research in terms of time and descriptive-analytical in terms of purpose. The method of collecting information is library and documentary. In this research, 8 samples of Tabriz altar carpet images of Iran Carpet Museum have been studied in a descriptive-analytical manner.
Article number: 2
Type of Study: Research |
Received: 2023/01/10 | Accepted: 2024/06/9 | Published: 2025/08/29
Received: 2023/01/10 | Accepted: 2024/06/9 | Published: 2025/08/29
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