2024-03-28T12:14:26+03:30 http://goljaam.icsa.ir/browse.php?mag_id=26&slc_lang=fa&sid=1
26-480 2024-03-28 10.1002
goljaam, Scientific Journal of Handmade Carpet goljaam 2008-2738 2588-7351 10.18869/acadpub.goljaam 2013 8 22 The Impact of Religious Beliefs and Myths on Rural Hand-woven Rugs of Hamadan Naimeh Jalilian Seyyed Aboutorab Ahmadpanah Carpet is one of the oldest and most ancient traditional arts that in addition to satisfying practical needs, reflects beliefs, myths and other conceptions. These concepts are manifested in the context of rugs, with colorful and beautiful motifs informed by inspiration. In this paper, in addition to identification of animal motifs in the rural rugs of Hamadan, these motifs have been classified as quadrupeds, birds, and aquatic animals. Moreover, ritual - mythical roots of such motifs have been studied. Among animal motifs, some birds (falcon and peacock), some aquatic animals (fish and turtle and crab) and livestock (goat), all have the concept of blessing and fertility. Animal motifs Hamadan rural rugs Myth-religion Fertility 2013 3 01 7 18 http://goljaam.icsa.ir/article-1-480-en.pdf
26-481 2024-03-28 10.1002
goljaam, Scientific Journal of Handmade Carpet goljaam 2008-2738 2588-7351 10.18869/acadpub.goljaam 2013 8 22 Studying Archetypes in the Carpet of "Rostam and Akvan the Demon” Based on Jung\'s Ideas Raheleh Erfanmanesh  Depicting the stories of Shahnameh is an issue that has attracted the attention of artists in different periods. Among these artists, rug designers can be named. In Qajar era, images of Shahnameh abundantly can be seen on pictorial rugs. Rostam's battles and epic tales are the stories that are highly regarded by such artists. The battles of Rostam and his battle with the Akvan the demon have attracted much more attention. We will analyze a carpet in which the war is shown within an altar. The question that arises here is: Is the objective of the image of such tale is more than just depicting a battle, since it is located inside an altar? And if the answer is affirmative, what are the reasons? To give a suitable answer based on Jung's ideas, first we have to try to introduce the archetype, and then derive such archetypes out of the carpet. This article is a descriptive - analytic study. We want to offer a different analysis according to the psychology of Jung's archetype. Rostam Akvan the demon Pictorial rugs Archetype Jung 2013 3 01 19 32 http://goljaam.icsa.ir/article-1-481-en.pdf
26-482 2024-03-28 10.1002
goljaam, Scientific Journal of Handmade Carpet goljaam 2008-2738 2588-7351 10.18869/acadpub.goljaam 2013 8 22 Evaluating the Effectiveness of Small and Medium Enterprise Credits in Handmade Carpet Industry Nasser Shahnoushi Mohammad Mazhari Hamid Taherpoor Mohsen Moshref  High unemployment rate in Iran has brought about some national projects of which one is Small and Medium Enterprises (SME) Credits. A main sector that uses SME credits is handmade carpet industry. The main purpose of this study is to investigate the effectiveness of SME credits in East Azerbaijan, Khorasan Razavi and Qom provinces of Iran. Investigating factors associated with effectiveness of SME credits were income, cost, profit, labor and production of carpet weaver households for the years 2006, 2007 and 2010. The effectiveness of SME credits was evaluated using matching estimators. To achieve the purpose, the statistical population was divided into two groups of Control (carpet weavers who do not used SME credits) and Treatment (carpet weavers who used SME credits) group. Sampling performed through simple random sampling in each group. The results show that SME Credits had no significant impact on the income, cost, profit, labor and production of carpet weaver households in Khorasan Razavi and Qom provinces; however in the East Azerbaijan the credits had significant impact on the mentioned variables. Evaluation of credits impact Small and Medium Enterprises (SME) facilities Matching estimators Genetic algorithm 2013 3 01 33 42 http://goljaam.icsa.ir/article-1-482-en.pdf
26-483 2024-03-28 10.1002
goljaam, Scientific Journal of Handmade Carpet goljaam 2008-2738 2588-7351 10.18869/acadpub.goljaam 2013 8 22 Studying the Structure of Contemporary Prayer Rugs of Sistan and Baluchestan Javad Avishi Zahra Hosseinabadi Alireza Taheri  Prayer rug is one of hand-woven products which have been common in Sistan & Baluchestan from ancient times till now, and it has deep spiritual meanings in addition to visual beauty, which has attracted the researchers to itself, especially native experts of this province in the recent two decades. In order to study the prayer rugs, we will classify them into adoptive, half–adoptive, native and original, new and intuitive groups according to people's authentic beliefs and significant motifs which are used in them. The most common and beautiful ones of these samples are the native designs, which include Mehrabi, frame, domical-minaret and prayer rugs. Questions which are asked in this research are as follows: How is general structure of rug prayer rugs of Sistan & Baluchestan? Which are the most important designs and motifs of Sistan & Baluchestan prayer rugs which have caused their durability? Designs and colors used in rug prayer of Sistan & Baluchestan are affected by nature, people's wishes and regional culture. Generally, prayer rugs' structure and motifs are closely similar in most areas of the regions and they have the some visual and meaningful roots, and the most part of these prayer rugs have geometric shapes. Features of native weaving and common raw materials of the province also have been reviewed in this study. The research methodology is analytic and descriptive, and data collection is done with referring to written and unwritten sources in addition to documented studies. Observation results are obtained from field studies and investigation and analysis of data and pictures is a criterion for identifying prayer rugs and hand-woven products of this province, and can helps for reclamation and protection of native art of this region. Prayer rug Structure Design Weaving Sistan Baluchestan 2013 3 01 43 60 http://goljaam.icsa.ir/article-1-483-en.pdf
26-484 2024-03-28 10.1002
goljaam, Scientific Journal of Handmade Carpet goljaam 2008-2738 2588-7351 10.18869/acadpub.goljaam 2013 8 22 Lion Motif of Iranian Carpet in Comparison with Literary and Mystical Works seyed mohammad mehdi mirzaamini daryoush kazempour  The Safavid Era is considered as the golden age of Iranian carpet history, which in addition to beauty of pattern, motif and color, has yielded worthwhile concepts on its carpets. The lion motif is one of those motifs on carpets of Safavid Era which have been depicted as both a prey and a hunter. Repetition of, and emphasis on this motif, which contains diverse concepts and senses in Iranian and Islamic cultures as well as gnostic viewpoints, raise this question that what concepts are manifested by the motif of lion. Mowlana regards the lion as the symbol of God, God's names and traits, the symbol of fate, people of virtue and saints as well as symbol of Mohammad Prophet, Hazrat Ali, wisdom, thinking and even sensuality. However, in his view, the concept of the lion is further interpreted to be human and perfect human rather than other symbols. A meaningful relationship, in the visual and conceptual studies, can be seen among lion motif in the view of Mowlana and on Safavid carpets. In more than 10 samples of the carpets, where the lion motifs studied in different situation and diverse positions, it was observed and implied that the lion, after unwieldy and difficult struggle, reaches to the center of the universe, i.e. the medallion of the carpet, and finally attain human-like lion degree. This concept also is reflected in the ideas of Mowlana. This study has been performed using library method, as well as the case study of carpets of Safavid using content analysis method and by comparison of samples. Iranian Rug Iranian Carpet Safavid Era Theosophy Mowlana Lion motif 2013 3 01 61 72 http://goljaam.icsa.ir/article-1-484-en.pdf
26-485 2024-03-28 10.1002
goljaam, Scientific Journal of Handmade Carpet goljaam 2008-2738 2588-7351 10.18869/acadpub.goljaam 2013 8 22 A Comparative Study and Analysis of the Motifs of Safavid Carpets Depicted in Muqul Indian Miniatures Mahmonir Shirazi Mina Talaei As a result of expansion of relationships between Gurkanian (Indian Muquls) and Safavid Kings, we can see some impacts of Iran on Indian carpets, illustrations, architecture and related arts. Some of the motifs in carpets were spread to India during Gurkanian Era. This paper tries to find out the direct or indirect influences of depicted carpets’ motifs in Persian paintings on Indian arts. So the questions are: What is the reason for the representation of Persian carpets in Indian miniatures during Muqul era? What are the represented motifs from Persian carpets in Indian miniatures? The applied research method is descriptive- analytical via library data collection. The results show that, Indian kings’ interest in arts, the relationship with Safavid Kingdom, and immigrations of Iranian artists to India in Shah-Tahmasb’s Era, are the reasons for representation of Persian carpets’ motifs in Indian miniatures. The represented carpets’ motifs in Indian miniatures besides the influence Iranian artists' exercise represent the nativity of vegetative motifs in either abstract or natural forms depicted by Indian artists Painting Safavid Gurkanian Carpet India 2013 3 01 73 95 http://goljaam.icsa.ir/article-1-485-en.pdf