@article{ author = {}, title = {}, abstract ={}, Keywords = {}, volume = {2}, Number = {2}, pages = {1-6}, publisher = {Iran Carpet Scientific Association}, url = {http://goljaam.icsa.ir/article-1-341-en.html}, eprint = {http://goljaam.icsa.ir/article-1-341-en.pdf}, journal = {goljaam, Scientific Journal of Handmade Carpet}, issn = {2008-2738}, eissn = {2588-7351}, year = {2006} } @article{ author = {Mojabi, Seyyed Ali}, title = {A Study of the Distribution of Various Methods of Tentering in Tehran’s Carpet Washing Workshops, a Comparison with Workshops in the East Azarbaijan and Isfahan Provinces}, abstract ={The article first describes different ways of tentering (sar rast koni) through the use of the surveying method. It also elaborates on the various features of these methods and the facilities and equipment used in them. In order to provide this information, a complete statistical group throughout the Isfahan and East Azarbaijan provinces was visited and 33 workshops were chosen from the group based on a normal distribution in Tehran Province. The workshops were then studied. Finally, the distribution of these methods in various areas was studied and a conclusion was reached.}, Keywords = {sar rast koni, dârkeshi, crookedness of carpets}, volume = {2}, Number = {2}, pages = {7-24}, publisher = {Iran Carpet Scientific Association}, url = {http://goljaam.icsa.ir/article-1-342-en.html}, eprint = {http://goljaam.icsa.ir/article-1-342-en.pdf}, journal = {goljaam, Scientific Journal of Handmade Carpet}, issn = {2008-2738}, eissn = {2588-7351}, year = {2006} } @article{ author = {Hejvani, Mehdi and Lezgee, Seyyed Habibullah}, title = {Manifestation of Carpets in Children’s Literature Case study: Trip to City of Solomon}, abstract ={This study discusses the manifestation of carpets in children’s literature. Since carpets are one of the universal symbols of Iranian art and culture, scholars and educators should attempt to institutionalize this art and craft as a cultural issue in the society. Obviously, such a movement must begin from childhood and use methods and models based on children’s interests. A story is one model that children naturally admire. The present article is a case study of one of the best Iranian children stories on the topic of carpets. The article has presented and interpreted various parts of the story, demonstrating how the author, by pointing to the traditional motifs of carpets, making use of a symbolic language, religious and national symbols and values, the appropriate techniques of writing for children, as well as narrating the life of a little girl working in a carpet weaving workshop, has represented the features and values of carpets in both realistic and surrealistic contexts. The cultural and social status of carpet weavers and other groups involved in the production of carpets must be taken into further consideration. These people should receive due respect as artists preserving a major part of Islamic Iran’s cultural heritage.}, Keywords = {carpet, mini rugs, Solomon’s flying rug}, volume = {2}, Number = {2}, pages = {25-36}, publisher = {Iran Carpet Scientific Association}, url = {http://goljaam.icsa.ir/article-1-343-en.html}, eprint = {http://goljaam.icsa.ir/article-1-343-en.pdf}, journal = {goljaam, Scientific Journal of Handmade Carpet}, issn = {2008-2738}, eissn = {2588-7351}, year = {2006} } @article{ author = {Akbari, Ahm}, title = {Purifying the Leftovers from the Process of Dyeing the Yarn by Applying Nano-membranes}, abstract ={New nanofiltration membranes were produced in the form of unfilled fibers through the photopolymerization method. Parastyrene sodium sulfonate was used as the vinyl monomer to reform the polysulphone ultra-filtration membranes. The modified membranes were used to purify colored solutions of three different pigments consisting acidic, reactive and direct (suitable for dyeing pile yarns and warps), in order to refine and reuse the pigment solutions. The effect of various parameters like pressure, electrolyte, time, and the kind of pigment on the extent to which the pigment is confined and the flux of the membrane outflow was assessed. Results showed that besides the effective function of bleaching, the problem of barred pores observed in most commercial membranes built of polyamide also reduced significantly in the new membranes.}, Keywords = {nano-membranes, pigments in carpet weaving industry, dyeing leftover solution, wool yarns, bleaching}, volume = {2}, Number = {2}, pages = {37-46}, publisher = {Iran Carpet Scientific Association}, url = {http://goljaam.icsa.ir/article-1-344-en.html}, eprint = {http://goljaam.icsa.ir/article-1-344-en.pdf}, journal = {goljaam, Scientific Journal of Handmade Carpet}, issn = {2008-2738}, eissn = {2588-7351}, year = {2006} } @article{ author = {Dadvar, Abulghasem and Momenian, Hamidrez}, title = {Elements Involved in the Formation and Appearance of Motifs in Qashqa’i Gelims}, abstract ={The designs and motifs of Qashqa’i gelims betray in a sense their weavers’ creative minds, high intelligence, unwavering efforts, great ability, graceful spirit, and deep thought. Understanding the meanings of these motifs and designs will help us become more familiar with the religious beliefs of the Qashqa’i people, the true meaning of their lives, their myths, traditions and rituals. It will also help us recognize the factors that have led to the appearance or disappearance of various motifs throughout the history of the tribe. The general factors that have led to the appearance of motifs in Qashqa’i flatwoven rugs have been mentioned as follows: A) Geographical factors and the natural environment B) The history, culture, and art of Iranian nomadic tribes C) The organization of the tribe D) The literacy, amount of knowledge, income and status of living of the people The most important conclusions of the study concern the categorization of Qashqa’i gelims, the most prevalent designs, motifs and sizes of the Qashqa’i gelims, designs that have undergone change or have been forgotten and the use of various colors in these rugs.}, Keywords = {nomadic life, the Qashqa’i tribe, Qashqa’i gelim, motifs and designs of Qasqa’i gelims}, volume = {2}, Number = {2}, pages = {47-64}, publisher = {Iran Carpet Scientific Association}, url = {http://goljaam.icsa.ir/article-1-345-en.html}, eprint = {http://goljaam.icsa.ir/article-1-345-en.pdf}, journal = {goljaam, Scientific Journal of Handmade Carpet}, issn = {2008-2738}, eissn = {2588-7351}, year = {2006} } @article{ author = {Talebpour, Farideh}, title = {Defects in Kashan Pile Rugs}, abstract ={A study of various deficiencies observed in the process of pile carpet weaving in the Province of Kashan has revealed that the most important defects are: unevenness, crimpled sides and erroneous application of the cartoon. Improving weavers’ skills will have a significant effect on reducing these defects. Therefore, weavers should be given educational advice on recognizing the capabilities of looms and other rug weaving equipment, the quality of raw materials and their harmonious use, the correct way of weaving flatwoven rugs, the manner of interlacing the wefts, and daftin-zadan (pounding an iron comb on the weft).}, Keywords = {Kashan carpets, defects in process of carpet weaving, causes of defects, educational advice}, volume = {2}, Number = {2}, pages = {65-76}, publisher = {Iran Carpet Scientific Association}, url = {http://goljaam.icsa.ir/article-1-346-en.html}, eprint = {http://goljaam.icsa.ir/article-1-346-en.pdf}, journal = {goljaam, Scientific Journal of Handmade Carpet}, issn = {2008-2738}, eissn = {2588-7351}, year = {2006} } @article{ author = {KhursandRahimzadeh, Maji}, title = {Identifying Factors Involved in Choosing the Subject of Handwoven Carpets for Higher Education}, abstract ={Carpet making in Iran plays an important role in creating job opportunities and increasing the country’s foreign exchange revenues. One of the fundamental and comprehensive programs that can guarantee the survival, expansion and extension of this art and craft is higher education. The course for carpets was first introduced in Iran’s higher education centers in 1375 (1996). Students can apply for a bachelor degree by competing in general examinations. Others can apply for undergraduate diploma in the Inclusive Applied Science University and the Islamic Azad University. In the present research, efforts have been made to study the motives of students studying for an undergraduate diploma in the Inclusive Applied Science University (the higher education center of the Fars Agricultural Jihad Organization) in the years 1381 (2002) and 1382 (2003) and to identify factors that lead students to choose the topic of carpets as a university course. The results of the research show that the strongest factor leading to this choice is primarily personal characteristics (interests, tendencies and experiences), secondly social and family factors (social values and living atmosphere), followed by economic factors (achieving an income and employment).}, Keywords = {carpet, handwoven carpet, study of carpet as university course}, volume = {2}, Number = {2}, pages = {77-87}, publisher = {Iran Carpet Scientific Association}, url = {http://goljaam.icsa.ir/article-1-347-en.html}, eprint = {http://goljaam.icsa.ir/article-1-347-en.pdf}, journal = {goljaam, Scientific Journal of Handmade Carpet}, issn = {2008-2738}, eissn = {2588-7351}, year = {2006} } @article{ author = {}, title = {}, abstract ={}, Keywords = {}, volume = {2}, Number = {3}, pages = {1-10}, publisher = {Iran Carpet Scientific Association}, url = {http://goljaam.icsa.ir/article-1-348-en.html}, eprint = {http://goljaam.icsa.ir/article-1-348-en.pdf}, journal = {goljaam, Scientific Journal of Handmade Carpet}, issn = {2008-2738}, eissn = {2588-7351}, year = {2006} } @article{ author = {A’zamzadeh, Mohamm}, title = {A glance to visual signs of East Mazandarn’s Kilims}, abstract ={Village weavings, particularly flatwoven Gelims, are the products of personal lastes, gifts, and individual creativity. In the meantime, the genuineness of their designs and colors is rooted in a collective genius enriched over the centuries. This collective genius seems to be well-preserved in the flatweav of East Mazandaran villagers, whose design repertoire is not confined to sheer imitation of nature, but is rich in respect of motifs of their own. That is why their weavings stand as documents of their ideas and their way of life, besides being useful and easy to use and carry products.}, Keywords = {Kilim, pattern, colour, hand waven.}, volume = {2}, Number = {3}, pages = {11-24}, publisher = {Iran Carpet Scientific Association}, url = {http://goljaam.icsa.ir/article-1-349-en.html}, eprint = {http://goljaam.icsa.ir/article-1-349-en.pdf}, journal = {goljaam, Scientific Journal of Handmade Carpet}, issn = {2008-2738}, eissn = {2588-7351}, year = {2006} } @article{ author = {Rezaei, Mohamm}, title = {Carpet - Weavers’ Job Satisfaction in East Azarbaijan and Isfahan}, abstract ={This article argues that hand woven carpet - weavesrs’ job satisfaction is one of the most important factors that influences the quality of their works. Thus, it is proposed to study the degree of job satisfaction among them and some important factors which determine its variation. The scope of the research involved 834 carpet weavers in East Azarbaijan and Isfahan in 2004. in this research, a theoretical model based on objective and subjective variables has been applied.}, Keywords = {Carpet-weavers’, Job satisfaction, Organization of production, distributive justice, Hezberg, Theory of Equality.}, volume = {2}, Number = {3}, pages = {25-33}, publisher = {Iran Carpet Scientific Association}, url = {http://goljaam.icsa.ir/article-1-350-en.html}, eprint = {http://goljaam.icsa.ir/article-1-350-en.pdf}, journal = {goljaam, Scientific Journal of Handmade Carpet}, issn = {2008-2738}, eissn = {2588-7351}, year = {2006} } @article{ author = {FarahmandBoroujeni, Hamid and Najafian, Mohammad Jav}, title = {Technological Study of Carpet Desings in Isfahan and Kerman}, abstract ={Conservation and preservation of carpet design cartoons requires a scientific con servation plan appropriate for each case study. The research into the carpet designs of Kerman and Isfahan regions was carried out in 2003 in order to gain access to a comprehensive and exact method for their conservation. In this research, besides the differences in the techniques of producing carpet designs in these regions - based on microscopic observations - the kind of paper fibers used in Kerman was realized as a pine wood byproduct, while the Isfahan region cartoon paper was from ashwhite and pine trees. The kind of dyes that have been used in colouring of carpet designs in Kerman and Isfahan was determined on the basis of the elemental analysis of SEM and FTIR spectrum. Subsequently, the organic origin of the following dyes was established: black, dark- blue, blue, red and the black ink of the checkered paper (manual and printed). The other dyes were mineral. The compound white colour in Kerman carpet designs was white lead and the compound white of Isfahan (except light blue) was zinc oxide.}, Keywords = {technology, carpet desing, paper, colour , pigment.}, volume = {2}, Number = {3}, pages = {35-50}, publisher = {Iran Carpet Scientific Association}, url = {http://goljaam.icsa.ir/article-1-351-en.html}, eprint = {http://goljaam.icsa.ir/article-1-351-en.pdf}, journal = {goljaam, Scientific Journal of Handmade Carpet}, issn = {2008-2738}, eissn = {2588-7351}, year = {2006} } @article{ author = {Shoja’Nouri, Nikoo}, title = {The Carpet Pattern of “Tree” as figural as Celestial}, abstract ={Since ancient times, “Tree” has been the focus of attention as a symbol, in works of art. In Mesopotamia and later in Iran, this symbol was known as a holy tree or tree of life as early as 3500 BC, and was delineated in different shapes. After the advent of Islam, this symbol prevailed in works of art; However, no longer as a mythological holy tree but rather standing for heavenly blessings and the paradise. This symbol has been used in different branches of art, including rugmaking. In the art of carpet patterning, the tree has prefigured a great variety of designs, notably the plant Mihrabi (prayer niche). No doubt, the predominance of the tree image in a large group of prayer rugs, is not accidental and must have an objective more than conveying mere beauty. One interpretion suggests an epitome of paradise. Given the Islamic restrictions imposed on the portrayal of human beings, a tree depicted in a prayer niche may well stand for a man in prayer.}, Keywords = {plant’s pattern , tree of life , Iran carpet , tree - mihrabi carpet.}, volume = {2}, Number = {3}, pages = {51-66}, publisher = {Iran Carpet Scientific Association}, url = {http://goljaam.icsa.ir/article-1-352-en.html}, eprint = {http://goljaam.icsa.ir/article-1-352-en.pdf}, journal = {goljaam, Scientific Journal of Handmade Carpet}, issn = {2008-2738}, eissn = {2588-7351}, year = {2006} } @article{ author = {Montazer, Majid and Zarineh, Saei}, title = {Effect of Urea on Dyeing of Wool with Madder}, abstract ={The influence of urea as an additive in dyeing of wool with madder was evaluated in this work. A different concentration of urea was applied on wool yarns before, during and after dyeing of samples. The treated samples were tested for dye absorption at different time, wicking, sinking, wash and light fastness and surface morphology by scanning electronic microscope. The results show that urea is an effective additive in dyeing of wool by madder by increasing the dye absorption. Adding of urea ranging 50% to 250% on weight of fibers leads to swell the wool fibers however, increasing the urea percent to 300% may damage the fiber surfaces and reduces the fiber strength.}, Keywords = {Wool, Madder, Urea, Dyeing and Dye absorption.}, volume = {2}, Number = {3}, pages = {67-84}, publisher = {Iran Carpet Scientific Association}, url = {http://goljaam.icsa.ir/article-1-353-en.html}, eprint = {http://goljaam.icsa.ir/article-1-353-en.pdf}, journal = {goljaam, Scientific Journal of Handmade Carpet}, issn = {2008-2738}, eissn = {2588-7351}, year = {2006} } @article{ author = {Sobhe, Khosrow}, title = {Oriental Rugs in the American Market}, abstract ={After the World War II was over, and due to the relative peace of mind, a population explosion occurred and baby boomers were born. This generation which is called “Generation X” entered the 80’s as the buyers of homes and consumers of furniture, bed, mattress and rugs. This was one of the reasons for huge increase in demand for Oriental rugs of the 80’s. In this short article, we study three main variables which have played a significant role in the rug market and compare three main factors in two time periods, in the early 1980’s and late 1990’s up to now. The variables under study are: 1- Buyers (who were/are they and how they reacted/react in the rug market?) 2- Sellers and the distribution channels (who were/are they and how they operated/operate?) 3- The rugs (material, color, design, and price) It is with knowledge of the rug market and its components and studying the trends and changes that we can become successful players in the field, no matter which role we play (producer, exporter, importer, wholesaler, or end user). We use the term “old” to identify the early years of the 1980’s and “new” to identify the late years of the 1990’s and the beginning years of the 21st century. By seller, we mean the dealer or the sales people who sold or sell rugs. By customer, or buyer, we mean the end-user who buys the rug for his/her own use at home.}, Keywords = {Oriental Rugs, American Market, Generation Rugs}, volume = {2}, Number = {3}, pages = {85-90}, publisher = {Iran Carpet Scientific Association}, url = {http://goljaam.icsa.ir/article-1-354-en.html}, eprint = {http://goljaam.icsa.ir/article-1-354-en.pdf}, journal = {goljaam, Scientific Journal of Handmade Carpet}, issn = {2008-2738}, eissn = {2588-7351}, year = {2006} } @article{ author = {Mojabi, S.Ali and ShaikhzadehNajar, Saeed and HosseiniHashemi, Shahrokh and Rashidi, A and Bassam, S.J}, title = {Silk Persian Carpet under Loading in Different Environmental Conditions}, abstract ={In this research, an apparatus was designed and constructed in order to simulate the storage behavior of hand-woven carpet under different environmental conditions. Silk hand-woven carpet (“Gom”) with 115×75 cm dimensions and 102×97 knot per 10 cm was selected and then inserted into the packing simulator with two different laying configurations including flat and folded. The environmental conditions was adjusted at 3 different conditions including 25 ± 5% r.h and 30 ± 2°c (July-Tehran-Dry), 65 ± 5% r.h and 6 ± 2°c (February-Tehran-humid), 40 ± 5% r.h and 19 ± 2°c (October -Tehran-mild). The carpet sample was compressed under constant loads of 135 and 150 kg. The variation of carpet thickness with time in different parts of carpet was continuously measured using data acquisition system. The result of experiment shows that the carpet thickness is suddenly decreased at a short period of time and then reached to a stable condition. The variation trend of carpet thickness with time is accordance with a logarithm equation(y=a×Ln(t)-b) which is highly in agreement with Eyring model proposed in creep theory . But at the dry conditions, the variation of carpet thickness at the folded point follow a non-linear power equation (y=a×(t)^b) with a low correlation coefficient. However, the variation of carpet thickness at the non-folded point and flat configuration is very low. Generally, at the humidity condition, maximum carpet thickness variation occurred at folded point with folded configuration. On the other hand, carpet thickness variations at dry condition are less those of at humidity and mild conditions. In addition, carpet thickness at dry condition more quickly reached to stable condition than those of at humidity and mild conditions.}, Keywords = {Hand-made Carpet, Environmental conditions, Creep, Eyring model}, volume = {2}, Number = {3}, pages = {91-104}, publisher = {Iran Carpet Scientific Association}, url = {http://goljaam.icsa.ir/article-1-355-en.html}, eprint = {http://goljaam.icsa.ir/article-1-355-en.pdf}, journal = {goljaam, Scientific Journal of Handmade Carpet}, issn = {2008-2738}, eissn = {2588-7351}, year = {2006} } @article{ author = {}, title = {}, abstract ={}, Keywords = {}, volume = {2}, Number = {4}, pages = {1-10}, publisher = {Iran Carpet Scientific Association}, url = {http://goljaam.icsa.ir/article-1-356-en.html}, eprint = {http://goljaam.icsa.ir/article-1-356-en.pdf}, journal = {goljaam, Scientific Journal of Handmade Carpet}, issn = {2008-2738}, eissn = {2588-7351}, year = {2007} } @article{ author = {Toomajnia, Jamall-aldin and Tavoossi, Mahmoo}, title = {The “Tree of Life” Pattern in Turkmen Rugs (With an Emphasis on Tree Patterns in the Islamic Culture and Ancient Civilizations)}, abstract ={In Islam the “Tree of Life” is named as Sedreh or Tuba and the followers of Islam believe that this tree is grown in Heaven; therefore it is an interesting subject for artistic innovative. In Turkmen terminology “tree of life” is called “Yashaish bagh”. In this study we have made an effort to evaluate the symbol of the Tree and the “Tree of Life”, with reference to the shapes of the “Tree of Life” in the ancient civilizations and compare this shapes with the patterns present in the Turkmen rugs and hand – woven pieces; and to study the hypothesis that the name “Tree of Life” could be assigned to these patterns. The carried out comparisons show that Tree and “Tree of Life” designs in Turkment carpets patterns are similar to Islamic and ancient patterns.}, Keywords = {“Tree of Life”, Tree, Turkmen rugs, Prayer Rugs, Ensi, Namazlik}, volume = {2}, Number = {4}, pages = {11-24}, publisher = {Iran Carpet Scientific Association}, url = {http://goljaam.icsa.ir/article-1-357-en.html}, eprint = {http://goljaam.icsa.ir/article-1-357-en.pdf}, journal = {goljaam, Scientific Journal of Handmade Carpet}, issn = {2008-2738}, eissn = {2588-7351}, year = {2007} } @article{ author = {Daryaie, Nazil}, title = {The aesthetic principles of Iranian Hand woven Carpets}, abstract ={Aesthetics of Iranian Hand Woven Carpets is one of the main reasons for its eternality. Recognition of such beauties, give one such scales for his/her evaluation about this matter. These elements are qualified features which affect on aesthetics of Iranian carpets and help to its eternality. This survey takes into consideration the main cases according to their relations toward carpet aesthetics. The main aim of this study is classifying, determining and introducing the reasons of carpet aesthetics and also the relations of these factors with cultural, artistic values of the society. To know if the Iranian Hand Woven carpets have aesthetics values or not and also if it has, determining such categories, are the main questions of this survey. In conclusion we understand that Iranian carpets have aesthetics features which I classified in two categories, one is intrinsic characteristics and the other is extrinsic. Also extrinsic category is divided in two fields and design, color and size are three factors among them.}, Keywords = {Iran Hand woven Carpet, Aesthetics, Aesthetics principles of Iranian Hand woven Carpets}, volume = {2}, Number = {4}, pages = {25-36}, publisher = {Iran Carpet Scientific Association}, url = {http://goljaam.icsa.ir/article-1-358-en.html}, eprint = {http://goljaam.icsa.ir/article-1-358-en.pdf}, journal = {goljaam, Scientific Journal of Handmade Carpet}, issn = {2008-2738}, eissn = {2588-7351}, year = {2007} } @article{ author = {Chitsazian, Amirhosei}, title = {Symbolism and Its Effects on Iranian Carpet}, abstract ={Symbolism and love of beauty are two fundamental particulars of human kind having special effects on his works of art. Carpet, particularly in Iran, has been one of the grounds of manifestation of symbols and carpet patterns represent symbolic designs. This study is an effort to study this issue, especially in the Safavid and Ghajrid eras which are considered to be the flourishing age of Iranian carpet. Written references as well as 80 pictures of carpets of that period of time constitute the main resources of this study and confirm our hypothesis of great effect of symbolism on Iranian carpet designing. In this study, I have introduced the theoretical grounds of carpet patterns symbolism and for the first time a classification is drawn up which may be used as a starting point for other studies.}, Keywords = {Carpet artifact, Aesthetic, Symbol, Symbolism, Carpet Design}, volume = {2}, Number = {4}, pages = {37-56}, publisher = {Iran Carpet Scientific Association}, url = {http://goljaam.icsa.ir/article-1-359-en.html}, eprint = {http://goljaam.icsa.ir/article-1-359-en.pdf}, journal = {goljaam, Scientific Journal of Handmade Carpet}, issn = {2008-2738}, eissn = {2588-7351}, year = {2007} } @article{ author = {HosseinAbadi, Zahra and Rahnavard, Zahr}, title = {A Study of The Pattern And The Color In The Sistan Carpet}, abstract ={The pattern and the colour used in Sistan carpets is influenced by the climatic, cultural, historical, and image-weaving conditions of the region. In view of their conception, beliefs, culture and the historical antiquity of the region, the artists and weavers of such images choose peculiar patterns and colours bearing their overt and covert understanding that are depicted in their weaving works. This research after studying the patterns and colours used in them, takes into account those factors whose appearance has been truly effective in their formation and style. These pictorial phenomena that associate their rank and status with the degree of demand and selection of the masses enjoy varied meanings and concepts and the effect of the natural inspiration in them attains, at times, such an abstraction that their place in the surrounding phenomena could hardly be recognized. Visual qualities and values in the colour and the pattern of Sistan carpet are varied and extensive. One most significant of them is the value of in unity multiplicity portrayed in the Sistan carpet more prominently in two elements of color and pattern. Keeping in view the past history and the epic of the people of Sistan and the mode of beliefs and mores prevailing over the region, similarly the peculiar temperament of the land, the patterns and colours used in the hand-woven and other artifacts are a sort of symbolism and an association of events and incidents that are in fact a linkage between self-conscious rational world and the instinctive world; the weavers of this style resort to patterns and colors in order to express natural elements and their own ideals.}, Keywords = {Sistan Carpet, Color, Pattern}, volume = {2}, Number = {4}, pages = {57-74}, publisher = {Iran Carpet Scientific Association}, url = {http://goljaam.icsa.ir/article-1-360-en.html}, eprint = {http://goljaam.icsa.ir/article-1-360-en.pdf}, journal = {goljaam, Scientific Journal of Handmade Carpet}, issn = {2008-2738}, eissn = {2588-7351}, year = {2007} } @article{ author = {Rahmani, Ashkan and Ashoori, Mohammad Taghi}, title = {A Study of Weaving Techniques in Fars Tribes Woven Artifacts}, abstract ={This study examines weaving techniques in three rare samples of Ghashghaei tribe hand-woven artifacts. Two first samples, “Shishe dermeh baafi” and “O’ei baafi” (2 laaye baafi) we found similarities and differences in the weaving structures, which are: Similarities: Both are hand-woven products woven through flat weaving, having two opposite colours warp and woof. Differences: “Shishe dermeh baafi” is one layered while “O’ei baafi” is a two layered woven object. In warp and woof structure of “Shishe dermeh baafi” , the face side strings are evenly dark and the opposite side strings are bright, while in “O’ei baafi” the strings are dark and bright alternately. “Vaarune chin baafi” is the third type of weaving which was examined. This type of weaving is similar to “Rond baffi” ( Verni Baafi) but the patterns are much more.}, Keywords = {Shishe dermeh baafi, O’ei baafi (2 laaye baffi), Vaarune chin baafi, , Doreh chin baffi, Ghashghaei tribe}, volume = {2}, Number = {4}, pages = {75-86}, publisher = {Iran Carpet Scientific Association}, url = {http://goljaam.icsa.ir/article-1-361-en.html}, eprint = {http://goljaam.icsa.ir/article-1-361-en.pdf}, journal = {goljaam, Scientific Journal of Handmade Carpet}, issn = {2008-2738}, eissn = {2588-7351}, year = {2007} } @article{ author = {kianiabari, mehdi and khaghani, hosei}, title = {The comparison of additional value of hand made rug in the conditions of management and self-employment production}, abstract ={Hand made rug is one of the major non-petroleum exported items which directly and indirectly supports the employment of large number of people around 8 to 9 millions in the recent years.The exportation of hand-made carpet has descended and it is considered a serious threat and may end to unemployment for a large number of the countrymen. This is one of the important reasons for the extra decrease of the carpet value. In this regard, the ordinary carpet in Hamedan and Fars and tiny weaved carpet in Isfahan have been investigated. The carpet under the investigation in Hamedan province is of rural woven type, in Fars province is Kashkooli woven type and in Isfahan’s is 34-meter type. The selection of these carpets is according to the experienced expert and the frequency of that type of carpet in the mentioned provinces .The data collection was performed through the questionnaire. The number of samples for each province was assigned at the level of 40” .Then the samples were randomly selected. After the data collection related to production expenditures, the expenditures divided into direct and indirect ones. The direct expenditures consisted of elementary materials and direct wages, and indirect expenditures consisted of electricity, water, rental, and asset. When the expenditure means were assigned, the carpet sale price was computed too. Then the additional value was investigated on the two conditions of self-employment and management. Also, the type of production management was assigned based on the additional value. The results indicated that the additional value on the condition of self-employment and management in Hamedan province for rural carpet is equal to 37726 and 140707 and in Isfahan province for 34 meter type is equal to 82050 and ,161508, and in Fars province for tribal Kashkooli for each meter is equal to 4177 and 28138}, Keywords = {additional value, self-employment, management, the finished expenditur Teach Ardestan , Instructor of department accounting Ilam university}, volume = {2}, Number = {4}, pages = {87-112}, publisher = {Iran Carpet Scientific Association}, url = {http://goljaam.icsa.ir/article-1-362-en.html}, eprint = {http://goljaam.icsa.ir/article-1-362-en.pdf}, journal = {goljaam, Scientific Journal of Handmade Carpet}, issn = {2008-2738}, eissn = {2588-7351}, year = {2007} }