نویسندگان محترم توجه کنید برای انجام هرگونه پرداخت فقط و فقط از گزینه پرداخت صورتحساب در پنل کاربری استفاده کنید

Volume 8, Issue 21 (9-2012)                   goljaam 2012, 8(21): 77-97 | Back to browse issues page

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Najarpour Jabbari S, Nadalian A, Ayatollahi H, Pourrezaiean M, Kafshchian Moghadam A. A Comparative Study of Motifs of the First-century Carpets of the Safavid Era with the Painting in the Same Period Case Study: Comparison of two Certain Carpets . goljaam. 2012; 8 (21) :77-97
URL: http://goljaam.icsa.ir/article-1-479-en.html
1- phd student Shahed University
2- Assistant Professor Shahed University
3- Associate Professor Shahed University
4- Assistant Professor University of Tehran
Abstract:   (225 Views)
One of the prosperous periods of Persian commercial carpet industry is the Safavid era especially the 10th and 11th centuries (A.H.). Governments’ attention to arts and artists and expanding the facilities on the one hand, and willingness of other artists such as illumination artists and Persian painters’ to beautiful designs for carpets, along with the progress of the dyeing industry, provided carpet weaving with a special place in the field of art and industry. The main question of the present study is: Who were the carpet designers at different geographical locations and in different times for various woven products? The main hypothesis in this paper is that in Safavid era, some of carpets were designed by famous Persian paintings artists. For this purpose, a comparative method has been used for comparing two survived carpet samples with the paintings of that era. It can be seen that the most of the arts, including traditional arts and architecture, were closely related at that era which indicate the existence of a unified artistic management in the cultural system of that period, and such responsibility was undertaken by the prominent painters and architects. The comparison of motifs of paintings and carpet may indicate that some of the carpets have been designed by some great painters such as Kamal al-Din Behzad and Aghamirak Isfahani and Soltan Mohammad Iraqi, etc and there are some valuable carpets woven directly under the supervision of these masters. On the other hand, some carpet designers were trained who followed their masters and this indirectly influenced the development of carpet motifs, so that the carpet designers were mostly inspired by these masters in manufacturing workshops.
Full-Text [PDF 2446 kb]   (203 Downloads)    
Type of Study: Research |
Received: 2018/02/26 | Accepted: 2018/02/26 | Published: 2018/02/26

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